Showing posts with label Fred Melamed. Show all posts
Showing posts with label Fred Melamed. Show all posts

Thursday, April 1, 2021

A bereaved family gathers: Comedy ensues

 


   A post-funeral Jewish comedy, Shiva Baby mixes ethnic stereotyping, fluid sexuality, and a young woman's uncertainty about her future in ways that don't always mesh. But mismatched ingredients may be the point of director Emma Seligman's comedy.
   Shiva Baby bounces the frustrated energies of its characters against the cramped walls of the small house in which most of the movie takes place. Fortunately, there are enough laughs to keep you from screaming.
  Rachel Sennott plays Danielle, a New York college senior who's earning extra money by carrying on a sex-for-cash relationship with a slightly older man (Danny Defarrari). 
  To please her parents, Danielle attends a shiva for a departed family member. There, she makes a surprising discovery.  Not only is Defaarari's character at the same shiva, he's married to a blonde shiksa (Dianna Agron). To top things off, the couple has a baby.
    For Danielle, the occasion -- a gathering to mark the period of mourning and comfort the bereaved -- immediately turns fraught.
    Danielle's parents are sharply drawn, perhaps overly so. Fred Melamed plays Danielle's mostly clueless father. Danielle's stronger mother (Polly Draper) nags at the daughter she clearly loves. She also tries to steer Danielle away from a childhood friend (Molly Gordon) with whom she has had a fling. 
    The comedy revolves around what the characters don't know and what they know but refuse to acknowledge, a good basis for farce although Shiva Baby over-relies on close-ups and jokes about the mourners' obsession with food tend to be repetitive. And, at least in my view, the movie's stereotypes sometimes morph into wince-inducing caricature.
     Draper, Sennott, and Gordon give the movie's best performances. Draper's humanity undercuts her character's more stereotypical traits. Sennott conveys the deep confusions of a perilously ungrounded woman, and Gordon allows honest intelligence to break the surface of cliche.
    So, I'd sum up this way: If Seligman were a chef, I'd say she hasn't created a totally satisfying meal but she succeeds in bringing many of the movie's ingredients to a rolling comic boil.

Thursday, August 22, 2013

A comedy finds its voice

"In a world ... "

Remember when it seemed as if every Hollywood trailer began with those three words.

They were delivered in deep, sonorous and often momentous tones by the late Don LaFontaine , the man who provided the voice-over narration for more than 5,000 trailers. LaFontaine's voice became instantly recognizable to a generation of moviegoers who knew its sound even if they didn't know the name of the man to whom it belonged.

The new comedy In a World -- a debut film from director and actress Lake Bell -- takes a witty, engaging look at the contemporary world of voice-overs. Bell immerses us in a little-known corner of show-business, centering her comedy on a young woman (played by Bell) who's trying to make her mark.

Funny without feeling compelled to put pedal to the comic metal, In A World reminds us that every sphere of human activity -- regardless of how obscure -- tends to produce a hierarchy, an absurd pecking order built on a foundation of rampant egotism.

Bell's Carol faces major psychological and social roadblocks. She's trying to break into a male-dominated field currently ruled by her father (Fred Melamed), a voice-over actor who has had a major career and an ego to match.

We meet Melamed's Sam in a scene in which he tells Carol that she'll have to move out of his house because his new, 31-year-old girlfriend (Alexandra Holden) will be moving in.

Melamed, whose immense shaggy body is exposed in scenes set in a steam bath, qualifies as one of the most unusual screen presences around. He appeared as overly solicitous home-wrecker Sy Ableman in the Coen Brothers' A Serious Man. Here, Melamed becomes a reigning pasha of the voice-over world, a man so full of himself he believes he can pass his mantle to a younger successor, an equally puffed-up voice actor named Gustav Werner (Ken Marino).

And, of course, Sam enunciates as if careful pronunciation were all that's needed to demonstrate an obvious superiority of character.

Once ejected from her father's home, Carol takes up residence with her sister Dani (Michaela Watkins). Dani lives in a small apartment with her husband (Rob Corddry), a film editor who works at home. Dani works as a concierge in a Los Angeles hotel.

Not only does Bell capture the highly competitive world of vocal acting, but she also has made a smart and funny comedy that includes characters who are colorful, a little odd and mostly good company.

Principal among these is Louis (Demetri Martin), an insecure sound engineer who helps Carol's career and who also has a crush on her.

The movie eventually begins to revolve around a highly sought after voice over job, the trailer for a quartet of movies called The Amazon Games. The promotional plan for Amazon Games calls for revival of the legendary phrase, "In a world."

Bell, who has played secondary roles in movies such as What Happens in Vegas and who has appeared in TV shows such as The Practice, demonstrates talent both before and behind the camera.

In so doing, she's accomplished something commendable: She's made a movie about people whose preoccupations often make them seem silly, but who still refuse to be confined by the rigid borders of caricature.