Showing posts with label Jurnee Smollett. Show all posts
Showing posts with label Jurnee Smollett. Show all posts

Thursday, December 5, 2024

An FBI hunt for white supremacists


  The Silent Brotherhood, a foray into the ranks of right-wing extremism, was written by reporters Kevin Flynn and Gary Gerhardt. I remember the book’s 1990 publication because its authors were then co-workers of mine at The Rocky Mountain News, a now defunct Denver daily.
   Gerhardt passed away in 2015, and Flynn went to become a Denver City Council member after the News’s demise. 
  I don't know when I first heard that The Silent Brotherhood would be adapted for the screen and that it would star Jude Law, but the movie based on Flynn and Gerhardt's book -- now called The Order -- finally is reaching the nation’s theaters.
    The Order tells a story triggered by the murder of outspoken Denver talk show host Alan Berg (Marc Maron in a brief performance). I didn’t know Berg well, but I’d met him and had been on his show a couple of times, talking movies, I guess.
   Berg was gunned down in front of his Denver condo in 1984, a crime that, in The Order, becomes the catalyst for a penetrating look at the criminal activities of violent neo-Nazis operating in the Pacific Northwest during the 1980s, often supporting themselves by robbing banks.
  Australian director Justin Kurzel takes a no-frills approach to a true crime story with frightening political implications, providing insight into people attracted to the furthest corners of the American far right. 
  Law plays Terry Husk, an FBI agent who’s drawn into the investigation when he’s assigned to an office in a remote corner of Washington state. He’s had big cases in New York and elsewhere, but seems to be on the downside of his career.
  Law creates a character who's worn, dogged, and sad. But he perseveres.
  Tye Sheridan plays Jamie Bowden, a local cop who knows some of the gang members from when they were kids. Bowden serves as a guide for Husk; in return, he's schooled by Husk in the ways of cops who know the ropes.
   Jurnee Smollett joins the cast as another FBI agent who contributes to the investigation, a fraught task for a Black woman working to bring white supremacists to justice.
  Set during the 1980s, The Order finds its principal outlaw in neo-Nazi Bob Matthews, played with charisma by Nicholas Hoult, soon to be seen in Nosferatu. 
   Matthews, who founded a group called The Order, relies on his likability and persuasiveness to attract others to his foul cause. He creates a sense of belonging among his followers, a brotherhood of the disaffected united by bonds of hatred for the federal government and anyone who isn't white.
   Bombings, an armored truck heist, and other violent incidents light the movie’s action spark; they're part of The Order's disruptive tactics, some motivated by their obsession with The Turner Diaries, a 1978 novel and white supremacist influencer.
   Not every supremacist believes in Matthews's approach. At one point, Richard Butler (Victor Slezak), the head of the Aryan Nations, tries to control Bowden, who he views as a dangerous rogue. Butler comes off as a neo-Nazi institutionalist who’s willing to bide his time.
  The Order has been classified as a crime thriller. Heaven knows, we've seen plenty of them. But in a divided, fearful country, The Order acquires renewed  urgency. It has been 40 years since Matthews died in a fiery confrontation with the FBI. I wish his story felt more like a footnote than a precursor. 

Thursday, April 25, 2024

Boys being boys in public housing

 


Set in 1992, We Grown Now takes place in Cabrini-Green, a now-defunct Chicago public housing project that began with high ideals and wound up as a hotbed for crime. The story centers on two boys, played with engaging naturalism by Blake Cameron James and Gian Knight Ramirez. Ramirez's Eric lives with his widowed dad (Lil Red Howery); James' Malik lives with his mother (Jurnee Smollett), grandmother (S. Epatha Merkerson) and his sister (Madisyn Barnes). The families struggle but they're  strong and resilient, and the boys know how to have fun. They use old mattresses as landing pads for playground leaps they refer to as “flying.” Relying on atmosphere and the realism of its performances, director Minhal Baig’s episodic movie fully embraces the boys' world. The movie follows them as they skip school or try to understand the hand they've been dealt. Baig sounds tough notes when one of the boys' classmates is shot and killed. She also stages a police raid in which cops search the projects for drugs, wrecking apartments and showing no regard for the lives they're disrupting. The apartments are neat and homey, islands of normality. Tears flow at the end after  Smollett's character makes a pivotal choice. When Baig refuses to let boyhood be smothered by the harsh surroundings of public housing, We Grown Now is at its best.