Terse and chilling, director Kathryn Bigelow’s A House of Dynamite tackles a situation most of us would prefer not to contemplate: a nuclear attack on a major American city.
Working from a screenplay by Noah Oppenheim, Bigelow divides her movie into three sections, each offering a different vantage point on the same brief time during which a missile hurtles toward the US.
Few in the movie’s large ensemble of military and civilian characters are psychologically prepared for an event that probably will kill 10 million people in the initial blast. Scores of additional deaths from fallout are sure to follow. The missile's origins are unknown, but it's headed for Chicago.
Those familiar with previous Bigelow hits such as Zero Dark Thirty (2012) and Hurt Locker (2008) know she’s skilled at sustaining tension, and A House of Dynamite stands as confirmation of her ability to rivet attention. In keeping with an intensely concentrated approach, Bigelow shorthands character development, opting instead to put her characters to the test.
How quickly can they accept that they’re not dealing with a routine exercise? How good are they at handling fear? Can they react reasonably under intense pressure?
A strong and well-selected cast includes Rebecca Ferguson as a White House Situation Room official, Gabriel Basso as a Deputy National Security Advisor, Jared Harris as the Secretary of Defense, and Idris Elba as the President of the United States. Tracy Letts portrays a folksy general who commands personnel who scan banks of monitors. A FEMA official (Moses Ingram) tries to prepare an evacuation response.
House of Dynamite employs too many actors to name them all. Many roles are relegated more to function than revelation. Still, Ferguson, Harris, and Elba convey the emotions accompanying concern for those outside the security perimeter, seen in glimpses that remind us that most people are unaware of a pending Armageddon.
Snippets of story detonate along the way. A Major General at a remote outpost (Anthony Ramos) falls into despair when his crew fails to intercept the missile. The Secretary of Defense grapples with the fact that his daughter lives in Chicago, the targeted city. An expert on North Korea (Greta Lee) watches a reenactment of the Battle of Gettysburg with her son when she's called for advice.
This contrast between two kinds of horrible warfare may be a bit on the nose for a movie that avoids extraneous observation, but A House of Dynamite mostly meets its subject head-on.
Given current preoccupations — wars in Gaza and the Ukraine, National Guard troops in major cities, and a government shutdown — A House of Dynamite may seem a little out of sync with today's worries.
Perhaps that’s the point. Bigelow’s movie serves as a sobering tap on the shoulder from someone intent on reminding us that other dangers lurk. Heaven forbid that one day a missile makes a mockery of the quotidian unfolding of what, for most of us, will begin as just another day.

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