Eddie Brock (Tom Hardy) is still walking around with a creature incorporated into his body, a symbiotic alien that lives in harmony with its biological human host. By the time of the third installment of Venom: The Last Dance begins, the character of Venom has become a reliable sidekick who provides straight-man Brock with comic jabs. Venom also uses his superpowers to help Brock confront enemies.
So what else is up with the finale of this purported trilogy?
I’ll give you the short-form answer:
-- Venom: The Last Dance may be more enjoyable than its two predecessors, not a great achievement, but ...
-- Amusing scenes crop up when Brock encounters a wandering hippie family led by a guitar-playing dad (Rhys Ifans). The movie makes good use of Cat Stevens’s Wild World and even better use of David Bowie’s Space Oddity. -- Knull, the self-proclaimed "god of the void," introduces the story by informing us of his need for the codex, a MacGuffin that will release him from imprisonment. Any time I hear the word “codex,” my eyes glaze over. Last Dance earns no exemption.
-- At one point, Brock finds himself riding with Venom outside a jet that's bound for New York. And you thought your airline experience was bad.
-- Here's a discovery: Venom, the symbiote, likes to dance. In this case, he takes the floor with Mrs. Chen (Peggy Lu), a character who has appeared in all the alien movies and who this time turns up playing the slots in Las Vegas. The song: Dancing Queen.
-- Chiwetel Ejiofor again adds seriousness as General Taylor, a solider who doesn’t like symbiotes. Seriousness in a movie such as this is like water polo in the Sahara. Misplaced.
-- Juno Temple joins the cast as a scientist who’s interested in befriending and studying symbiotes. Temple doesn’t have much to do. Perhaps she’s warming up for future movies.
-- Stephen Graham, who appeared in the previous Venom movie, is now a symbiote who’s being studied at a top secret military facility.
-- Kelly Marcel makes her directorial debut. She also wrote the screenplay, as well the screenplays for two previous Venom movies.
-- Did I mention that creatures called Xenophages turn up? Not into fine dining, they try to feast on symbiotes.
-- The movie eventually loads up on action and turns sentimental about the relationship between Venom and the Brock. It didn't strike much of an emotional chord with me, but then I had no great fondness for the first two movies.
If you’ve never tapped into this corner of Marvel world, you may want to sit Dance out. If you’re a fan, you’ll probably find a reasonably amusing conclusion to the trilogy.
And if you’re just interested in movie culture, you may want to know that more Venom movies probably loom -- even if Hardy takes a pass.
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