'Thunderbolts*' stakes out its own turf

 

   An aggressively bountiful stream of Marvel movies has created a specialized kind of viewer. Loyal fans and aficionados have become astute at parsing the intricacies that connect the numerous characters that populate the Marvel Cinematic Universe. 

   An essential question raised by every new Marvel movie, then, revolves around whether its appeal extends beyond those who have submitted Marvel dominance.

   Thunderbolts* leans toward the middle when considering its appeal for the uninitiated.  It's difficult for me to call it must viewing, but I enjoyed the movie more than most recent Marvel fare, primarily because of a solid ensemble, a few memorable comic moments, and a commitment to the idea that six misfits are equal to one superhero.

    Here's the deal: A dejected group of MCU characters has been exploited by CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus). If the Congress learns about these assassins, de Fontaine won't survive an already contentious impeachment hearing. 

    Fearing exposure, de Fontaine contrives to gather these Marvel losers in one place and eliminate them.

    A freshman congressman named Bucky Barnes (Sebastian Stan) wants to topple de Fontaine. In addition to his Congressional day job, Bucky is trying to forget his life as Winter Soldier, an assassin with a prosthetic arm that, at one point, he pulls out of his dishwasher. Nice touch.

    Yelena Belova (Florence Pugh) becomes the standout character among those de Fontaine wants to terminate. Raised to be a deadly killer, Yelena, a.k.a. Black Widow, sees her life as empty, a meaningless blip in the encompassing void of an indifferent universe -- or some such.

    John Walker (Wyatt Russell), a bargain-basement Captain America, helps round out the group. Taskmaster (Olga Kurylenko) and Ghost (Hanna John-Kamen) also join the gang.

     All of these characters have Marvel backgrounds but you don't need to know much more about them than you'll learn from watching Thunderbolts*. 

    Know, though, that each Thunderbolt acknowledges a personal history that includes many bad deeds and a fair measure of regret.

    It takes time for director Jake Schreier to distinguish between each of the movie's non-superheroes and, more importantly, to get them to function as a team.

    When the characters meet at the underground facility to which de Fontaine has directed them, the movie introduces an oddball character named Bob (Lewis Pullman). Bob doesn't know how he arrived in the high-tech bunker, but it soon becomes clear that he's been the subject of secret biological experiments arranged by de Fontaine.

      Pullman delivers the film's pivotal performance as a character for whom the internal battle between good and evil becomes literal. Bob, whose name becomes the subject of the movie's best joke, also must learn about the temptations of possessing extreme power. 

     Comic relief and bonhomie arrive courtesy of the bearish Alexei Shostakov (David Harbour); Alexei operates a limo service and refers to himself as Red Guardian. 

     Alexei, who once served as a father figure for Yelena, becomes a cheerleader for group activities. He likes the name, Thunderbolts, which was taken from Yelena's losing childhood soccer team. The others consider it "meh."

    Existential concerns aside, there's plenty of action, the best of it set in New York City, which at one point is shrouded in a creeping dark shadow that looks as if it might have been at home in a Cecil B. DeMille Bible epic. 

    It takes time for the movie to settle in and scenes in which the characters flashback to their formative days aren't always elegantly handled, but the actors -- especially Pugh and Pullman -- find some depth and a few scenes evoke real emotion.

    You'll note the movie's title contains an * (asterisk). You'll have to see Thunderbolts* to discover why, but as Marvel movies go this one entertains and isn't afraid to be corny when it needs to be.

     What do I mean? When was the last time a Marvel movie resolved a major problem with a group hug? It happens here.

   

      

A invitation you may want to refuse

If Table 19 were a pilot for a TV sitcom -- which tells you something about the level of the humor in this dismal comedy -- it might not survive 20 minutes of a meeting on whether to the project deserves a green light. Despite the presence of the usually lively Anna Kendrick, director Jeffrey Blitz can't animate a screenplay by Jay and Mark Duplass. Either the director wasn't up to what the Duplass's were trying to achieve (an off-kilter mixture of comedy and seriousness) or the material wasn't up to snuff. Either way, Table 19 winds up falling flat on its face. A wedding comedy about those assigned to the worst table at a reception, Table 19 casts Kendrick as the former best friend of the bride who was banished from maid-of-honor duties when the bride's brother (Wyatt Russell) dumped her. The rest of the table includes June Squibb, whom you'll remember from Nebraska, as a pot-smoking former nanny to the bride. Also on board: Lisa Kudrow and Craig Robinson, as an Ohio couple with marital issues; Tony Revolori (of Grand Budapest Hotel), as a horny teen who's in constant phone touch with his nagging mother; and Walter (Stephen Merchant), a geeky embezzler who's the father-of-the-bride's disgraced nephew. Before service at Table 19, where all the principals are seated, concludes, Blitz has introduced terminal cancer, marital discord, and slapstick involving the wedding cake. The movie opens with Kendrick's distraught Eloise agonizing over whether to attend the wedding or send regrets. I think you know where I stand vis-a-vis accepting an invitation to this anemic affair.

A college party movie set in Texas

Director Richard Linklater transitions from Boyhood to college in a movie about partying student athletes.

Director Richard Linklater will be 56 in July. Although he's drifting past middle age, the Austin-based director still seems intrigued by youth, perhaps because it's a period when characters are able to test life's waters and try on different styles.

Linklater spent 12 years working on the masterful Boyhood. Now, he's taking aim at adolescence -- albeit of a particular kind, that of college baseball players at a small Texas school during the early 1980s.

Everybody Wants Some!! takes place during the several days before classes begin; the movie's ballplayers drink, look for sexual adventures and jockey for position in the ramshackle house where they've taken up residence.

It's possible that if anyone but Linklater had made the loosey/goosey Everybody Wants Some!!, it would have been greeted with shrugs, a patchy attempt to chart what happens when an 18-year-old jock (Blake Jenner of Glee fame) arrives at fictional Southeastern Texas State for what he hopes will be a great career as a pitcher.

Equipped with a winning smile, Jenner's Jake easily finds a place among his teammates, crude and raucous ballplayers who might be '80s extensions of the frat boys from Animal House.

A bit more sensitive than his teammates, Jake eventually establishes a relationship with a theater major (Zoey Deutch).

But Jake also joins his new pals as they try various party modes -- from disco to punk, all set to a strong and nostalgic soundtrack that includes work by The Knack, Patti Smith, Jermain Jackson, Dire Straits, Devo and The Cars.

Standouts in the baseball playing group include Finn (Glen Powell), a pipe smoking student with a relaxed, know-it all manner, and Willoughby (Wyatt Russell), a stoner who proudly sets the record for the school's longest and deepest bong hit.

Willoughby occasionally philosophizes in the manner of the Linklater characters who populated his hang-out movie, Dazed and Confused, which was set during the 70s.

To the movie's credit, Linklater's characters don't exactly qualify as stock figures.

Tyler Hoechlin portrays McReynolds, the cockiest athlete, a power hitter who disdains pitchers and treats them as a lower order of being.

J. Quinton Johnson appears as the team's only black player, a second baseman.

There's also a good-ole country boy (Will Brittain), a young man who looks like he might have skills, but who could evolve into the kind of player who dribbles the juice from chewing tobacco down the front of his jersey.

I've still got enough adolescent in me to have chuckled as Linklater works his way through his plotless helping of dudes in search of a movie but having too good a time to care if they actually find one.

A couple of Linklater's observations are worth noting -- the way these young men turn nearly anything into a competition, for example.

But for the most part, Everybody Wants Some!! is a shambling, rambling look at young people who have yet to become interesting. Judging by the movie, they may never actually achieve that status.

Pointedly, the movie -- which shows very little baseball -- concludes on the first day of classes with Blake and another teammate (Temple Baker) falling asleep moments after the professor arrives. It's meant as a comment, I suppose, but it's not exactly one that shakes off the movie's party-hardy cobwebs.