Thursday, January 8, 2026

The neighbor who might be a Nazi

 


Director Leon Prudovsky’s My Neighbor Adolf sets a story with Holocaust roots in Colombia in1960. Early on, we meet Polsky (David Hayman), a Jewish recluse who lost his family during the Holocaust. Polsky lives a solitary life outside a small Colombian town, but his bitter existence is disrupted when a new neighbor (Udo Kier's Herr Herozg) moves next door. Herzog’s arrival brings a major dose of seriousness to a movie that often sketches its moves lightly. Annoyed by his neighbor's dog, Polksy fumes. To make matters worse, Herzog's beloved German Shepherd  threatens the dark roses Polsky nurtures. A brief meeting between the two men convinces Polksy that Herzog might be none other than Adolf Hitler. Despite widely acknowledged reports of his death, the Nazi Fuhrer might be hiding in Latin America. Polsky, who claims to have seen Hitler in person at a Berlin chess match, goes to great lengths to validate his suspicions. For his part, Prodovsky creates an air of mystery around Herzog. Olivia Silhavy portrays Frau Kaltenbrunner, an authoritarian woman Polsky regards as Herzog's protector, a woman who might be helping to conceal Herzog's murderous past. The two men begin playing tense games of chess as part of Polsky's plan to expose his neighbor. My Neighbor Adolf  works hard to squeeze sentiment into its story about two lonely old men, eventually revealing the truth about Herzog's past. Both actors do their best to keep the story on track, but a Grumpy Old Men quality seems misplaced, and the screenplay becomes increasingly implausible.



Wednesday, January 7, 2026

Cruelty at a water polo camp

 

    Recently, I posted my l0-best list of movies for 2025. On that list was The Plague,  a vividly made and disturbing plunge into the lives of adolescent boys that's now making its way around the country. 
Here's what I said: 

   Director Charlie Polinger’s The Plague sets its story at a camp where teenage boys establish a culture of camaraderie and cruelty. In tone and texture, The Plague resembles a horror film, but its ability to unsettle stems from its deeply rooted understanding of adolescent boys. Polinger’s imagery adds an unexpected eeriness to a story that focuses on 12-year-old Ben (Everett Blunck), a new arrival at a water polo camp where one of the boys (Kenny Rasmussen) is rejected for having the plague, a concocted story the boys take seriously. Rasmussen's character becomes an outcast. Steeped in anxiety, The Plague features a small performance from Joel Edgerton as a water polo coach. Credit Polinger with deftly depicting a part of youth most men would prefer to forget. 

    Some additional observations and notes on the movie: Kayo Martin gives a memorable performance as Jake, the malicious leader of the boys who taunt Rasmussen's character. Johan Lenox's  score enhances an ominous quality that mirrors and heightens feelings of anxiety. Edgerton's down-to-earth performance avoids the cliches that might have turned him into a savior of troubled boys.  Steven Breckon's cinematography offers underwater perspectives that help define the disquiet of an atmosphere that can turn chaotic. 

  Technical artistry aside, The Plague stands as a classic about cruelty and estrangement that's perfectly embodied in Blunck's performance as a boy struggling to manage the conflict between basic decency and the need for peer acceptance.


  



Sunday, January 4, 2026

Critics Choice Association 2026 winners




   The Critics Choice Association kicked off the 2026 awards season Sunday, giving its best picture award to One Battle After Another. The movie's director, Paul Thomas Anderson, also won awards for best director and best adapted screenplay. 
   Frankenstein, director Guillermo del Toro's reimagining of a horror classic led the field of winners, nabbing four awards, including best supporting actor for Jacob Elordi, who played the creature.   
  For the record, I'm a member of The Critics Choice Association. And, no, I wouldn't be surprised if you see many of this year's CCA winners on Oscar's podium in March.

Here's the full list of CCA winners
Best Picture: One Battle After Another
Best Actor: Timothée Chalamet, Marty Supreme
Best Actress: Jessie Buckley, Hamnet
Best Supporting Actor: Jacob Elordi, Frankenstein
Best Supporting Actress: Amy Madigan, Weapons
Best Young Actor or Actress: Miles Caton, Sinners
Best Director: Paul Thomas Anderson, One Battle After Another
Best Original Screenplay: Ryan Coogler, Sinners
Best Adapted Screenplay: Paul Thomas Anderson, One Battle After Another
Best Casting and Ensemble: Francine Maisler, Sinners
Best Cinematography: Adolpho Veloso, Train Dreams
Best Production Design: Frankenstein
Best Editing: Stephen Mirrione, F1: The Movie
Best Costume Design: Frankenstein
Best Hair and makeup: Frankenstein
Best Visual Effects: Avatar: Fire and Ash
Best Stunt Design: Mission: Impossible — The Final Reckoning
Best Animated Feature: KPop Demon Hunters
Best Comedy: The Naked Gun
Best Foreign Language Film: The Secret Agent
Best Song: Golden, Kpop Demon Hunters
Best Score: Ludwig Grandson, Sinners

Best Sound: F1: The Movie

Friday, January 2, 2026

Leftovers from the old year

I'm offering brief reviews of two movies (Anaconda and Goodbye, June) to go on record about movies that I hoped might offer diversion (in the case of Anaconda) and emotional heft (Goodbye June). Neither movie did either of those things, so here's my gloss on both them:

Anaconda


The end of the year usually finds critics weighing in on some of the year's more serious offerings, movies that probably will dominate the upcoming awards season. That wouldn't apply to Anaconda. Director Tom Gormican offers the sixth installment of the series, this one starring a usually reliable comedy crew that includes Paul Rudd, Jack Black, Thandiwe Newton, and Steve Zahn. The story revolves around a quartet of  old friends who reunite to rekindle the spark of enthusiasm they felt about the horror movies of their teens. Black, as a director of wedding videos, joins Rudd, as an actor with a dismal career, for a no-budget indie remake of their beloved Anaconda. Along with Newton, as a former high school pal, and Zahn, as another pal and cameraman, the principals head for the Amazon. Selton Mello appears as Santiago, the local hired as the movie's snake handler. Gormican mixes broad comedy and satire about movie cliches, but the movie's laughs may have gotten lost in the jungle, and its additions of horror seem like transfusions of gore into an already lost cause.

Goodbye June

And while we're on the subject of strong casts and weak results, consider Goodbye June, a Christmas movie that marks Kate Winslet's directorial debut. Winslet also appears on screen along with Toni Collette, Andrea Riseborough, and Johnny Flynn. They're siblings dealing with the imminent death from cancer of their mother (Helen Mirren). Dad (Timothy Spall) seems more interested in football and alcohol than in his family. Did I mention that the movie takes place at Christmas time and reaches a sentimental conclusion when grandchildren perform a Christmas play for their dying grandma? This one is meant to jerk tears,  but if I were going to shed any tears, they would be for a cast that deserved better material. No hard feelings, though. These accomplished actors surely will triumph anew.