Currents of gender fluidity run through Jimpa, a movie from Australian director Sophie Hyde. Relying on heavyweight casting centering on Olivia Colman and John Lithgow, Hyde tells a family story about characters struggling with multigenerational issues and fragmented family ties.
Hannah (Colman) decides that her family should visit her gay father (Lithgow) who the family calls Jimpa. Jimpa and his former wife tried to make their marriage work in Australia, but Jimpa left Australia to become a gay activist in Amsterdam, where he has lived for years.
Jimpa's grandchild, Frances (Aud Mason-Hyde), a nonbinary transgender 17-year-old, idolizes Grandpa, regarding him as a hero who fought for gay rights. Hannah decides it's time to expose her child to the kind of diverse "queer" community available in Amsterdam. It's almost as if she wants Frances to peruse a menu of gender options.
Hyde takes the drama back and forth in time, including snippets that illuminate Hanna and Jimpa's backgrounds.
A charismatic gay man, Lithgow's Jimpa isn't entirely at ease with the younger queer generation: He struggles with pronouns and loathes bisexuality, deeming it a cover-up for the gayness he has fought so hard to bring into the open. Still, he has a generous attitude toward the grandchild he clearly loves.
Hyde creates an easy-going ambiance around Jimpa whose gay friends have known each other for years and who've lived through the AIDS plague. Jimpa is an AIDS-positive survivor, but a recent stroke has left his family worried about his future.
Early on, Frances propose to live with Jimpa for a year, a choice Hannah greets with trepidation. Still, she does her best to negotiate emotionally volatile terrain while allowing Frances as much freedom as possible.
A filmmaker by trade, Hanna believes -- or wants to believe -- that it's possible to make a film without conflict. She's working on a film about her father.
The third act turns into a bit of a "right-to-die" drama when Hannah's sister (Kate Box) shows up. She disagrees with Hannah about how to deal with Jimpa's physical decline.
Gently assembled, Jimpa tackles difficult issues and avoids drawing harshly expressed lines in the sand, but it never finds a solid core around which the confusion of its characters can swirl. That's another way of saying the movie can't quite decide whose story it's telling, or maybe it tries to tell too many, doing none of them full justice.
