Despite a strong cast led by Shea Whigham, The Gateway never fuses into the gritty urban drama it seems to want to be. (The story is set in St. Louis but the movie actually was shot in Norfolk, Va.) Whigham's Parker — another character with a single name -- works in a field that seems at odds with his behavior. Parker’s job as a social worker might well expose him to drug-world violence. But the movie amps things up by turning Parker into a pistol-packing former boxer. Parker wants to keep kids out of the foster-care system that nearly swallowed him as a child. Parker becomes increasingly involved in the lives of a woman (Olivia Munn) and her daughter (Taegen Burns) after a hot-tempered husband and father (Zach Avery) is released from prison. Avery's Mike quickly falls in with his old criminal clique led by the merciless Duke (Frank Grillo). When he gets crosswise with a drug cartel, Dahlia and Ashley are put at risk. Bruce Dern crops up as the jazz-trumpeter dad from whom Parker is estranged. Director Michele Civetta seems to be trying to say something about the complex corruptions that plague St. Louis and about one flawed man who tries to do some good. Noble aims remain unfulfilled because of lame dialogue and a plot that doesn’t fully engage the ambiguities and conflicts in Parker’s character. In sum, The Gateway's gritty stroll down mean streets leads to a dead end.
Rocky Mountain Movies & Denver Movie Review
FOR MOVIE LOVERS WHO AREN'T EASILY SWEPT AWAY
Thursday, September 2, 2021
A "Gateway' to nowhere
Despite a strong cast led by Shea Whigham, The Gateway never fuses into the gritty urban drama it seems to want to be. (The story is set in St. Louis but the movie actually was shot in Norfolk, Va.) Whigham's Parker — another character with a single name -- works in a field that seems at odds with his behavior. Parker’s job as a social worker might well expose him to drug-world violence. But the movie amps things up by turning Parker into a pistol-packing former boxer. Parker wants to keep kids out of the foster-care system that nearly swallowed him as a child. Parker becomes increasingly involved in the lives of a woman (Olivia Munn) and her daughter (Taegen Burns) after a hot-tempered husband and father (Zach Avery) is released from prison. Avery's Mike quickly falls in with his old criminal clique led by the merciless Duke (Frank Grillo). When he gets crosswise with a drug cartel, Dahlia and Ashley are put at risk. Bruce Dern crops up as the jazz-trumpeter dad from whom Parker is estranged. Director Michele Civetta seems to be trying to say something about the complex corruptions that plague St. Louis and about one flawed man who tries to do some good. Noble aims remain unfulfilled because of lame dialogue and a plot that doesn’t fully engage the ambiguities and conflicts in Parker’s character. In sum, The Gateway's gritty stroll down mean streets leads to a dead end.
Thursday, December 8, 2016
A party you've attended before
Thursday, January 14, 2016
'Ride Along 2' quickly crashes
A sequel to the 2014 hit, Ride Along 2 arrives at a time when Oscar nominated movies are still clogging theaters, and Star Wars: The Force Awakens continues to keep the turnstiles spinning. It's as if the movies haven't yet recovered from last year's hangover.
So it's hardly surprising that Ride Along 2 reflects Hollywood's unstoppable tendency to re-wrap ingredients that led to previous success. This second helping does little more than add a bit of Miami glitz to a formula that wasn't especially inspired to begin with.
As fans of the series already know, Kevin Hart's Ben Barber is a bumbling dope. Ben, a wannabe cop in the first movie, now has a job as a uniformed police officer in Atlanta. He's also poised to marry Angela (Tika Sumpter), a woman whose brother James (Ice Cube) is a hard-boiled Atlanta detective.
You know the drill. Ben does dumb things; Ice Cube's James tells Ben that he has done dumb things. Hart revs his comic engine; Ice Cube scowls.
An especially lame story finds James traveling to Miami to help find a hacker (Ken Jeong). Eager to prove his worth, Ben wants to tag along. A reluctant James agrees, hoping once and for all to prove that Ben hasn't got the right stuff to be a detective.
Showing about as many facial expressions as the frozen-faced Ice Cube, a stiff Olivia Munn portrays a Miami detective who rounds out the law enforcement side of the equation.
Benjamin Bratt plays a less-than-frightening drug lord who corrupts public officials. He, too, is after Jeong's character.
Whether you find Ride Along 2 to be laugh-packed depends on how funny you find Hart. He's energetic, and likable enough, but there's not enough fresh humor in Ride Along 2 to compensate for the numbing amount of gunplay or a particularly gross scene in which Ben is forced to pick hair-covered nachos out of a trashcan and eat them.
Director Tim Story, who made the first movie, as well as the much better Ice Cube comedy, Barbershop, makes Ride Along 2 seem less ragged than it actually is by sprinkling it with female bodies and high-gloss shots of Miami.
Look, I've got nothing against dumb comedies and obviously, Hollywood doesn't either, but even dumb comedies need more by way of novelty than Ride Along 2 manages to muster.


