A renewed 'Toy Story 5' pleases

 

  Toy Story 5 manages to keep Pixar's animated franchise from slipping into irrelevance, no small feat considering the first Toy Story movie appeared 31 years ago. 

  This edition renews the franchise by expanding the role of cowgirl heroine Jessie (Joan Cusack) and also presenting her with a love interest, Buzz Lightyear (Tim Allen). It’s not too early to think about wedding gifts.

  A comforting story arc again underscores the assertion that beloved toys provide kids with much-needed emotional support. Shy girl Bonnie (Scarlett Spears), a veteran of films three and four, doesn’t know how to make friends, partly because she's stuck in the stage where Jessie remains a big part of her world.

  To make the movie more topical, Pixar's latest pits toys against tablets, old-school playthings vs. electronic devices that dominate kids' attention and encourage solitary play. 

   Directors McKenna Harris and Andrew Stanton, the duo that also wrote the screenplay, argue that toys can become the building blocks of world-creating experiences that kids can share.

   The time,Woody (Tom Hanks) does supporting duty while Greta Lee gives voice to a pivotal new character,  Lilypad, a frog-shaped device that's supposed to open the gateway for Bonnie to become more attuned to present trends. 

    To further up the ante, the screenplay adds a brigade of Buzz Lightyears and a variety of new characters, notably Smarty Pants (Conan O'Brien), a tablet whose name defines him. 

     Now, this being Pixar, don't expect all-out war; it hardly qualifies as a spoiler to tell you that the tech toys eventually learn to play nice with their retro predecessors. Detente looms.

     Before that can happen, the push to bring Bonnie into a new high-tech world forces Jessie again to deal with abandonment issues, another franchise favorite.

     Her first owner ditched her. But Jessie has enough spunk and agency — not to mention the help of a few plot twists — to arrive at the home of Blaze (Mykal-Michelle Harris), a girl who appreciates toys and shares Jessie's love of imagination. 

      Blaze also collects toy horses, a lucky break because the horses gallop into the third act, and Jessie's devoted steed, Bullseye, accompanies her on her adventures. Blaze’s friendship with Bonnie will bring like-minded kids together.

   Much is made of the way toys, even favorites, often wind up in storage as children age. Higher-tech toys fare no better as they hurtle toward their own fast-approaching expiration dates.

    The moral:  Kids change as they grow, and toys of all kinds meet them at just the right moment.

   I'm not sure there's a right moment for more Toy Story sequels, but the aim here might have something to do with hooking a new generation of viewers. This helping of Toy Story feels pitched toward younger audiences. If I were to guess, I'd say 12 might be the upper limit.

    But there's nothing that will pain the adults who accompany kids, and Toy Story 5 earns its place as a surprisingly pleasing addition to the franchise.

     

                                                                                                                                         

    

'John Carter' aims at Mars, but misses

John Carter may not be a dud, but it's not the one we've all been waiting for, either.

Disney seems to shopping for a new franchise with John Carter, an action adventure taken from A Princess of Mars, the first in a series of Edgar Rice Burroughs’ novels centered on John Carter, a Civil War veteran who is transported to Mars. Originally published in 1912, Burroughs' novel has been the basis for a variety of comic book series that achieved popularity among some boomers. Maybe that's why Disney put its money on a piece of sci-fi that originated long before the words “high tech” entered the popular vocabulary.

If I were a betting man, I’d wager against the development of a major John Carter franchise, at least if the first movie is any indication. John Carter isn’t awful. It is, however, determinedly retro, and if you didn’t know it derived from Burroughs, you might find it to be a bit retro, a bit cheesy and mostly lacking in the kind of golly-gee enthusiasm that sometimes saves movies from looking ... well ... cheesy and dated. Worse yet, as played by Taylor Kitsch, the main character comes off as bare-chested and bland.

Director Andrew Stanton (WALL-E and Finding Nemo) doesn’t seem to have had as much luck making the leap to live action as Brad Bird, who went from The Iron Giant, The Incredibles and Ratatouille to the breathless achievements of Mission Impossible - Ghost Protocol.

At two-hours and 12 minutes, John Carter has a few fun moments, but it also can feel as if it's laboring under its own weight, and several of the most interesting supporting players -- Willem Dafoe, Samantha Morton, and Thomas Haden Church - are unseen, providing voices for CGI characters such as Sola, a.k.a, the green martian woman from Thark.

The story transports John Carter to Mars (never mind how) where he finds himself battling with the Tharks, reptilian-looking creatures with tusks, long faces, four arms and a language that requires subtitles.

Tharks alone are not sufficient fodder for a movie this sprawling, so the plot tosses Carter into the middle of a battle between warring cities of red-skinned Martians, who look like humans who've spent too much time at the beach. Goaded by Princess Dejah Thoris (Lynn Collins) of Helium, Carter ultimately drops his neutrality and joins the battle to keep Helium from being dominated by the wicked Prince Sab Than (Dominic West). There's even more plot manipulation thanks to another group of evildoers called The Elites.

To add another level of complication, Sab wants to marry Princess Dejah Thoris. Her father (Ciaran Hinds) consents to the wedding to keep Helium from being destroyed.

Of course, Carter and Dejah Thoris are the movie’s real romantic item, and by the end, Stanton manages a small tug at our oft-plucked heart strings.

I could have done without the 3-D, which seemed to be used to no special advantage, and John Carter includes a fair amount of Martian gibberish that would have been unbearable had it not generated a few unintended chuckles.

Oh, I almost forgot. On Mars, Carter discovers that he’s able to make giant leaps into the air; this newly acquired power, a result of diminished gravitational pull, helps him to survive and to become an effective fighter, including in the obligatory scene in which he battles giant creatures in an arena.

The movie, however, hardly represents a giant leap when it comes to action/adventure: I can't say John Carter generated the excitement a burgeoning franchise needs, and it certainly didn’t make me crave another helping.