Showing posts with label David Denman. Show all posts
Showing posts with label David Denman. Show all posts

Thursday, August 16, 2018

Jigsaw puzzles and skateboards

Kelly Macdonald gives Puzzle its center.
Kelly Macdonald, who made a major impression on HBO’s Boardwalk Empire, scores in Puzzle as a housewife living a drab life with her garage-owning husband (David Denman) and her two teen-age sons (Bubba Weiler and Austin Abrams). As the only person in the house who's happy, Dad can't seem to understand why everyone else doesn't share his contentment. A movie such as Puzzle isn't exactly shrouded in mystery: We know that Macdonald's Agnes is due for some break-out moves. She begins to find her voice when she discovers that she's a whiz at assembling jigsaw puzzles. She sees patterns where others see chaos. When Agnes travels to New York City to buy puzzles, she notices a note on the bulletin board of a game store. Turns out a wealthy investor (Irrfan Khan) is searching for a partner to enter a doubles jigsaw contest. Not everything Agnes does to break a mold defined by her Catholicism and convention feels credible, but Macdonald's tentative, slowly emerging performance gives the film a strong center. Based on a 2010 Argentinian film Rompecabezas, Puzzle employs a fine cast that's a bit let down by a story that never quite peaks. Still, director Marc Turtletaub respects the performances, which are all first rate and Puzzle tallies a distinct — if minor — victory.

An authentic look at world of skateboarding. Is that enough?

Skate Kitchen immerses us in the world of teenage girls who live in and help define skateboard culture. Director Crystal Moselle, who directed the fine documetary Wolfpack, gives her movie lots of authenticity, building her story around Camille (Rachelle Vinberg), a skateboarder who's frequently at odds with her single mother (Elizabeth Rodriguez). Mom thinks her daughter should find something better to do with her time than use Manhattan as a skateboard playground by latching on to the back of trucks or sliding down banisters, for example. Maybe Mom is right: Early on, Camille is "credit-carded," a phrase referring to what happens when an errant skateboard lands in a boarder's crotch. Moselle spends more time developing the skateboard scene than she does with a plot that ultimately finds Camille establishing a relationship with a boy (Jaden Smith) who once dated one of her skating buddies (Dede Lovelace). Frankly, I'm a little tired of movies steeped in teen culture, even when it's presented with a degree of realism that makes the movie feel as if it might have been derived from a documentary. I've read that the cast includes many non-actors, young women from something known as the Skate Kitchen Collective. A documentary about them might have been just as revealing as this meandering feature.

Thursday, August 17, 2017

A caper movie, country style

Director Steven Soderbergh has fun with Lucky Logan, a heist movie set in West Virginia.
It's a bit of a stretch to think that anyone has been eagerly waiting to see Daniel Craig, the current James Bond, play a hillbilly safecracker from West Virginia. But Craig does just that in Steven Soderbergh's Logan Lucky, a caper movie in which a group of West Virginia rednecks stage a robbery at the Charlotte Motor Speedway during the Coca-Cola 600, a NASCAR race held on Memorial Day weekend.

Those who try to mine veins of importance from Logan Lucky, which was written by Rebecca Blunt, may find themselves straining. Logan Lucky stands as an enjoyable -- if slight -- caper comedy build around odd ball casting that creates much of the movie's appeal -- that and Soderbergh's understanding of how to freshen a formula.

An unlikely duo of Channing Tatum and Adam Driver play brothers. Tatum's Jimmy Logan is a beleaguered construction worker who loses his job for not reporting a pre-existing health condition; he has a limp. Jimmy's brother Clyde (Driver) works as a bartender despite having a prosthetic lower left arm, a souvenir from his military service in Iraq.

Jimmy would like to spend more time with his daughter after his divorce from Bobbie Jo (Katie Holmes). But Bobbie Joe and her husband (David Denman) plan to move to a swankier town, leaving Jimmy with a great need for money if he wants to maintain a relationship with his daughter (Farrah Mackenzie), a child who participates in beauty pageants.

With no legitimate prospects in sight, Jimmy uses the code word that his brother knows signals trouble. "Cauliflower."

The rest of the movie follows a pleasingly predictable pattern in which Jimmy assembles the crew he needs to pull off the heist. One of Jimmy's primary partners in crime is Joey Bang (Craig), a felon whose participation presents Jimmy with an obstacle. Joey's in jail. Jimmy contrives a scheme to get Joey out of the slammer so that he can put his larcenous plan in motion.

Jimmy's sister (Riley Keough) plays a role in pulling off a robbery that allows Soderbergh to revel in West Virginia color, sometimes in ways that seem a trifle self-conscious.

To further complicate matters, Joey insists that his participation is contingent on Jimmy involving Joey's two brothers (Jack Quaid and Brian Gleeson), a couple of guys who probably never will be mistaken for MENSA candidates.

Two additional performances are worth mention. Seth MacFarlane shows up as Max Chilblain, a British race car impresario, and Hilary Swank makes a late-picture appearance as a cop who's trying to nab the thieves.

Like many heist movies, Logan Lucky requires a healthy suspension of disbelief, and it's tough to avoid not thinking of the movie as a kind of knockoff of Soderbergh's Ocean's series, only with dirt under its fingernails.

I enjoyed Logan Lucky, even though I was seldom unaware that I was watching actors tapping into their inner rednecks. As it stands, the cast seems to be having the kind of good time that transfers to an audience.

A couple of clicks toward even more weirdness and Logan Lucky might have landed Soderbergh in Coen Brothers territory. Now that really would have been something to behold.